Stories have external conflicts, like character vs.
Sailors have a curious dread of the place. I don't know why. Some superstition--" "Can't see it," remarked Rainsford, trying to peer through the dank tropical night that was palpable as it pressed its thick warm blackness in upon the yacht.
It's like moist black velvet. I hope the jaguar guns have come from Purdey's. We should have some good hunting up the Amazon. Who cares how a jaguar feels? The fear of pain and the fear of death. The world is made up of two classes--the hunters and the huntees.
Luckily, you and I are hunters.
Do you think we've passed that island yet? Even cannibals wouldn't live in such a God-forsaken place. But it's gotten into sailor lore, somehow.
Didn't you notice that the crew's nerves seemed a bit jumpy today? Even Captain Nielsen--" "Yes, even that tough-minded old Swede, who'd go up to the devil himself and ask him for a light.
Those fishy blue eyes held a look I never saw there before. Now, you mustn't laugh when I tell you this--I did feel something like a sudden chill.
The sea was as flat as a plate-glass window. We were drawing near the island then. What I felt was a--a mental chill; a sort of sudden dread. But sometimes I think sailors have an extra sense that tells them when they are in danger.
Sometimes I think evil is a tangible thing--with wave lengths, just as sound and light have. An evil place can, so to speak, broadcast vibrations of evil.
Anyhow, I'm glad we're getting out of this zone.
Well, I think I'll turn in now, Rainsford. See you at breakfast. Rainsford, reclining in a steamer chair, indolently puffed on his favorite brier. The sensuous drowsiness of the night was on him. Off to the right he heard it, and his ears, expert in such matters, could not be mistaken.
Again he heard the sound, and again. Somewhere, off in the blackness, someone had fired a gun three times. Rainsford sprang up and moved quickly to the rail, mystified. He strained his eyes in the direction from which the reports had come, but it was like trying to see through a blanket.Mar 13, · Best Answer: Conflicts in "The Most Dangerous Game" "The Most Dangerous Game" is a bizarre hunting story.
In this story, General Zaroff hunts Rainsford. Richard Connell's "The Most Dangerous Game" included many types of conflict, such as the following: Rainsford versus nature, Rainsford versus himself, and Rainsford versus General rutadeltambor.com: Resolved.
CONFLICT: A conflict in a literary work is a struggle between opposing forces. The main conflict of “The Most Dangerous Game” by Richard Connell is revealed when Rainsford discovers the presence of Zaroff on Ship Trap Island. Zaroff wishes Rainsford, whom he knows is .
Read the excerpt from "The Most Dangerous Game,” by Richard Connell. "Didn't you notice that the crew's nerves seemed a bit jumpy today?" "They were a bit strange, now you mention it.
The Most Dangerous Game study guide contains a biography of Richard Connell, quiz questions, major themes, characters, and a full summary and analysis.
About The Most Dangerous Game The Most Dangerous Game Summary. THE CONFLICT OF "THE MOST DANGEROUS GAME" A conflict is a struggle between opposing forces.
There are two main types of categories of conflicts: internal and external. An internal conflict is a struggle a character faces within themselves.
An external conflict is a . The Most Dangerous Game by Richard Connell. STUDY. PLAY.
|General Zaroff||What are some examples of imagery in Richard Connell's Sight and sound seem to be the most used images.|
Plot. this story is replete with example of both internal and external conflicts. External Conflict. Authors use it in scary stories like "The Most Dangerous Game" to increase the suspense and make the story more exciting so the reader wants to keep reading.