Bernhard Tiemann Journeys to Last Home Brief notice was given in last issue of the Mercury regarding the death of a former citizen of this place, Mr. Bernhard Tiemann, which occurred Tuesday night of last week at the home of his son, Mr.
Her father worked for the New York steel mills; her mother was a launderer, homemaker, and avocational poet. Although neither parent was formally educated, they provided their Lucille clifton family with an appreciation and an abundance of books, especially those by African Americans.
At age sixteen, Lucille entered college early, matriculating as a drama major at Howard University in Washington, D.
Her Howard associates included such intellectuals as Sterling A. After transferring to Fredonia State Teachers College inClifton worked as an actor and began to cultivate in poetry the minimalist characteristics that would become her professional signature.
Like other prominent Black Aesthetic poets consciously breaking with Eurocentric conventions, including Sonia Sanchez and her Howard colleague, LeRoi Jones Amiri BarakaClifton developed such stylistic features as concise, untitled free verse lyrics of mostly iambic trimeter lines, occasional slant rhymes, anaphora and other forms of repetition, puns and allusions, lowercase letters, sparse punctuation, and a lean lexicon of rudimentary but evocative words.
She won the award and with it the publication of her first volume of poems, Good Times. Frequently inspired by her own family, especially her six young children, Clifton's early poems are celebrations of African American ancestry, heritage, and culture.
Her early publications praise African Americans for their historic resistance to oppression and their survival of economic and political racism. Acclaimed by the New York Times as one of the best books ofGood Times launched Clifton's prolific writing career.
Everett Anderson, a small boy living in the inner city, became the protagonist of eight of the fourteen works of juvenile fiction she published between and Another of her children's books, Sonora Beautifulrepresents a thematic departure for Clifton in that it features a white girl as the main character.
Like her poetry, Clifton's short fiction extols the human capacity for love, rejuvenation, and transcendence over weakness and malevolence even as it exposes the myth of the American dream.
Clifton's prose maintains a familial and cultural tradition of storytelling. Adapting a genealogy prepared by her father, Generations: Most of the biographical sketches in Generations are written from a first-person perspective in which various family members are represented as narrating their own stories.
In them, Clifton further honors African American oral and oratorical traditions with her use of black vernacular. In Clifton reprinted her complete published poems in Good Woman: The themes of these exceptional poems reflect both Clifton's ethnic pride and her womanist principles, and integrate her race and gender consciousness.
Casting her persona as at once plain and extraordinary, Clifton challenges pejorative Western myths that define women and people of color as predatory and malevolent or vulnerable and impotent. Her poems attest to her political sagacity and her lyrical mysticism.
Poem sequences throughout her works espouse Clifton's belief in divine grace by revising the characterization of such biblical figures as the Old Testament prophets, Jesus, and the Virgin Mary, and in An Ordinary Woman she shows herself in conflict and consort with Kali, the Hindu goddess of war and creativity.
Good Woman also narrates a personal and collective history as it addresses the poet's enduring process of self-discovery as poet, woman, mother, daughter, sibling, spouse, and friend. Some of its most complex and effective poems mourn Thelma Sayles's epilepsy, mental illness, and premature death when Clifton was twenty-three.February is Black History Month, and to celebrate the contributions black poets have made, and continue to make, to the richness of American poetry, we asked twelve contemporary black poets from across the country to choose one poem that should be read this month and to tell us a bit about why.
Lucille Sayles Clifton was born in Depew, New York, to Samuel L. and Thelma Moore Sayles. Her father worked for the New York steel mills; her mother was a launderer, homemaker, and avocational poet.
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Dec 11, · these hips are big hips they need space to move around in.
they don't fit into little petty places. these hips are free hips. they don't like to be held back. these hips have never been enslaved, they go where they want to go they do what they want to do.
these hips are mighty. Writing and composing with honesty and humanism, Lucille Clifton is known for her themes of the body, family, community, politics, womanhood, and the spirit. Lucille Clifton was born in Depew, New York. Named after her great-grandmother who, according to her father, was the first black woman to be legally hanged in the state of Virginia, she was raised.